JULY 2007 - Il Trovatore in Choregies d'Orange

 

 

Il Trovatore

 

Choregies d'orange

 

Direction musicale Gianandrea Noseda
Etudes musicales Janine Reiss

Mise en scène Charles Roubaud
Scénographie Jean-Noël Lavesvre
Costumes Katia Duflot

 

Leonora Susan Neves
Azucena Larrissa Diadkova
Ines Marie-Paule Dotti

Manrico Roberto Alagna
Il Conte di Luna Seng-Hyoun Ko
Ferrando Arutjun Kotchinian
Ruiz Sébastien Guèze
Un Vecchio Zingaro David Bizic
Un Messagero Jean-François Borras

 

 

 

Samedi 28 juillet à 21h30
Mardi 31 juillet à 21h30


The Chorégies d'Orange festival dates from 1860 and is the oldest festival in France. Over the years, the Chorégies have retained all of their freshness and originality, due in part to the name, which comes from the Greek "choreos", linking them to the Grecian-Latin tradition, to the magnificent site where they take place: the perfectly preserved Roman Theatre, which can hold 9,000 spectators, and which still has its stage wall, the guarantee of exceptional acoustics, and to their vocation, which is lyrical and musical performances, placing them among the very best French festivals and certainly one with an indisputable international reputation.

 

 

 

 

 

 

The Roman Theatre in Orange, one of the most beautiful monuments in France, is testimony to the Roman era. It is the only building of its kind which still has its acoustic stage wall, whose size is quite impressive: 103 meters long, 37 meters high, 1.80 meters thick. The stage itself is 65 meters long, with optimally useful space of 47 meters. Depth varies between 12 and 16 meters.
Following the fall of the Roman Empire, the Roman Theatre was no longer used as a place for entertainment. In 1562, it was even transformed into a refuge for the population. Restoration only began in the early 1800's, when the bleachers were rebuilt.

 

The first performance took place in 1869, with "Joseph", an opera by Mehul. At that time, the classic Greek and Roman tragedies were staged there, and the Roman Theatre was also used to promote the French dramatic authors of the era.
The use of the Roman Theatre as the stage for lyrical and musical performances became prevalent in 1971, with the creation of the "Nouvelles Chorégies", which met with immediate, overwhelming success. All of the world's great lyrical artists have performed there, bestowing international prestige on this ideal stage which continues to prove itself with each passing year.


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